Beautiful concept art by Kalen Chock.

Reblogged from Drawstin



Enrang Blog

Enrang’s work is always a reminder of where to improve <3

Reblogged from Tumblr of Doom


It may be hard to believe, but this incredibly lifelike lobster is entirely made of boxwood. Hand-carved and fully articulated, it’s the painstaking work of 25-year-old Japanese sculptor Ryosuke Ohtake and an awesome example of form of uniquely Japanese sculpture known as jizai okimono.

"The craft involves carving realistic animals whose bodies and limbs are all animated through joints just like the real living thing. Some common subjects are birds, fishes, snakes and insects. It’s a craft that originated in the late-Edo period (late 1700s) when metalsmiths and armor makers, faced with a decline in demand for armor, found themselves with plenty of time on their hands. But ever since it’s modest beginnings, the lobster, with its numerous joints and undulating back, has been considered to be the most difficult and challenging subject."

What’s perhaps even more unbelievable about this amazing creature is that it was Ohtake’s very first jizai okimono piece. It was shown as part of a wooden sculpture exhibition which took place at Tokyu Department Store in Tokyo this past April.

Click here to watch a brief video to get a closer look at this truly astonishing wooden crustacean, how it was made, and how realistically every single part of its beautifully articulated body moves.

Then visit Ryosuke Ohtake’s Facebook page to check out more of his amazing sculptures.

[via Colossal]



Artist Henrique Oliveira Constructs a Cavernous Network of Repurposed Wood Tunnels at MAC USP

Brazilian artist Henrique Oliveira (previously) recently completed work on his largest installation to date titled Transarquitetônica at Museu de Arte Contemporânea da Universidade in São Paulo. As with much of his earlier sculptural and installation work the enormous piece is built from tapumes, a kind of temporary siding made from inexpensive wood that is commonly used to obscure construction sites. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior. Transarquitetônica will be on view through the end of November this year, and you can watch the video above by Crane TV to hear Oliveira discuss its creation.

Via Colossal


Reblogged from Strange Terrain.